Kane Wahine The title means Man Woman in Polynesian, and playing those roles in Alis Locantas latest creation are Italian Dean and pretty Hungarian Sicilia, in her very first appearance at SexArt. Theres a relaxed island vibe as the film begins — the two stars are flirting and fooling around poolside and basking in the warmth of the sun. After toweling off they retreat inside where a bed sprinkled with rose petals awaits. Love and lust are both in the air and an afternoon of sexual play unfolds at a pleasant and engaging pace. Theres nothing in Sicilias performance that hints at her newcomer status — this naturally beautiful blonde is completely at ease both with her partner and with the camera, and her performance is sincere and enthusiastic. The climax of the film, both literally and figuratively, is simultaneous, vocal, and internal, a fact revealed when their bodies are reluctantly separated. As sweet and intoxicating as a Mai Tai, Kane Wahine packs a tropical punch

Casting In her first ever appearance in a Sexart erotic movie, Isabella Amor plays a dancer in the process of auditioning partners for stylish modern pas de deux. Faube Cox, who coincidentally made his Sexart debut in the dancethemed In Motion, arrives for the final audition of the night, and Casting begins. After a brief chat the twosome execute a selection of stylish, graceful, and acrobatic dance moves. Cox is more than capable of rising to the physical challenges Amor assigns him, and whether hes spinning her through the air or hoisting her lithe body high overhead, it seems clear that his performance in this tryout is winning him high marks. Indeed, after sliding into a passionate clinch, Isabella signals her approval by administering a long and loving blowjob. Then, after tearing a generous hole in the crotch of Amors tights, Cox sucks and licks her upthrust box. The entire second half of Casting is devoted to an extended fuck in several eyeopening and inventive positions. Indeed, Amor switches from conventional cowgirl to a demanding full split — one leg over Faubes shoulder, the other extended the opposite direction — that, coupled with direct clitoral stimulation, results in an evidently satisfying orgasm. Shortly thereafter Cox concludes his performance by pumping a liquid load deep inside his appreciative partner. The audition has reached its end, but the beauty and passion lingers and endures in C

Im Here For Love Andrej Lupins Im Here for Love takes its title from the bright and bubbly pop song that plays during the title sequence. During that sequence Silvie Deluxe, in her bathrobe, boils water and makes tea to share with her lover, William Zef. When some tea is accidentally spilled, Deluxe takes on the role of nurturer and nurse, soothing Zefs hand with a stream of cool water. The contact, the caring, this unexpectedly intimate exchange, triggers spontaneous desire in the couple and they joyously ascend the stairs to the bedroom. Here the mood of the film shifts. The glare of the kitchen is replaced by the muted glow of the boudoir, the pop tones are traded for solo piano, and a casual chat over cups of tea becomes an intimate and intensely romantic encounter. Kissing — deep, passionate, and prolonged — is lingered over and indulged in at length as the lovers express their connection. There is much stroking, sucking, frigging, and fucking, but this isnt acrobatic or exhibitionistic in the slightest degree — Im Here for Love is all about two lovers, sharing love, making love, and completely submitting to their love. Im Here for Love is a perfect selection for lovers of romantic erotica

Snow Fun VI Sexy Game Episode VI of the Snow Fun series has no trouble at all living up to its name. In Sexy Game we join the entire cast as they gather around the dinner table, recount the days adventures, and enjoy a glass or two of wine. An empty bottle inspires an idea, and with a spin the game begins. Grace C billed here as Annely Gerritsen and Emylia Argan get the party started with a bit of flirtatious kissing and caressing. Gabi de Castello ups the ante considerably by stripping on the tabletop and masturbating as her friends urge her on approvingly. Terry Sullivan goes next and with a helping hand from Matt Ice she achieves a crowdpleasing climax. When the bottle points at blonde Carla Cox she knows what — and who — she wants to do. As the group looks on she begins blowing Will S. After their friends make a welltimed exit Carla and Will abandon the game and get serious — soon theyre banging away at a furious pace. In this extremely Sexy Game, everyones a winner

Possessione It shouldnt come as a surprise that, in a film about sexplay, director Alis Locanta plays a game or two with the viewer and his or her expectations. He begins Possessione with an engaging bit of tease as longhaired and flirtatious Taissia A making her Sexart film debut dances provocatively during the title sequence. But this isnt simply tease, the artist is also telegraphing a subtle clue. Next he drops in a sinister bit of foreshadowing as the camera follows grim and intent Franck Franco down hallways and into a room containing a surprise. Another cut and its a beautiful, sunshiny day and two lovers — Taissia and Franck — stroll, flirt, and kiss without a care in the world. Possessione then details a night of kink that boasts elements of dominance, submission, bondage, and domination thats shot through with passion and enwrapped in romance. On the surface, this is a master and slave scenario, but why is the slave so delighted with her position? And why is the master so intent on pleasing her, rather than satisfying his own selfish needs? Thats another skillful bit of Locantas subtle gamesmanship — he uses the conventions of kink to reveal the entirely wholesome and inspiring romantic bond this loving couple share. Whos in control? Franck as he fingers bound and helpless Taissias pussy? Or Taissia when she sucks Francks cock and licks his balls? And what about the sizzling multiposition fuck that follows? Viewers with an interest in the unconventional are urged to submit to Possessione. No safe word re

Girlfriends Massage These friends do everything together double dates, holidays in the sun, nights out on the town. And they shared all their secrets, except for one. One day, this secret is exposed and a normal friendship turns into something else. While getting ready in a hotel room for a mutual friend’s wedding, the girls discover a hidden desire a sexual urge that neither had previously acknowledged

Liberation Liberation, directed by Andrej Lupin, takes place in a smoky and atmospheric subterranean boîte. A beautiful young woman, her face revealing a combination of hurt and disappointment, sits alone with a glass of wine. We dont know if shes been stood up, let down, or had her heart broken, but her sadness is palpable. The waiter, the only other occupant of the secluded space, senses her pain and gently tries to draw her out of her melancholy mood. He pours another glass of wine. He chats with her. He extends his hand in friendship. As the womans sorrow begins to dissipate, tiny sparks of mutual attraction ignite and then she throws herself wholeheartedly and completely into this unexpected, unplanned, and entirely spontaneous opportunity. The stars of the film — Linda Sweet and Kristof Cale — have a relaxed, natural chemistry and their rapidly accelerating passion is genuine and unforced, giving the action an extra layer of realism and intensity. Whether Sweet knows it or not shes ready for this encounter. And whether Cale is hungrily eating her pussy, fingering her, or fucking her, she is explosively responsive, and several of her climaxes result in spontaneous fountains of liquid ecstasy. And, after Cale has pumped a load deep inside her, Sweet is transformed, a new woman, glowing with vitality and satisfaction. Experience the freedom and release only a new sexual experience can provide in Libe

El Matador El Matador. Spanish for The Killer. The killer of the beast. The killer of the hearts and minds of men who admire bravery in its raw form. One man stands alone against the angry rage of the mature, 3000 pound bull. Its horns like sharpened metal spears, its breath like molten lava, its eyes transfixed on The Killer, El Matador. With force of a speeding truck, the raging beast throws its spears with the full weight of its enormous body... Yet the killer, El Matador, stands unafraid, unmoving. With no protection, nothing to safeguard his body, he stands against the raging beast with no more than a red cloth to inflame the beasts anger, and pure human courage. It is no wonder that Presley Hart must have this man, this killer, El Matador. She yearns for him, for the touch of his rugged body, the smell of his sweet sweat against her soft, white perfumed skin. The very thought of him makes her flow with sexual desire, and when he arrives to her bed, he takes her as only he could, this killer, El Matador

Lubricous A broad spectrum of pleasures — tactile, physical, emotional, visual, and above all, sexual — are on display in Andrej Lupins Lubricous. The title, as it is used here, means intended to arouse sexual desire and, secondarily, smooth and slippery with oil or a similar substance. And it is oil, quite literally, that brings the films stars — Katy Rose and Lutro — together and fuels and facilitates not to forget lubricates the erotic action of Lubricous. Rose, totally nude, lounges on a bed. A stream of massage oil splashes on her body. Lutro glides his fingers and hands across her creamy skin, spreading the oil until Rose glistens and glows. His touch is light, his movements graceful, suggesting that the giver of pleasure is enjoying the feelings of contact as much as his partner. Rose then takes over, massaging her masseur and paying particular attention to his straining erection. As their bodies gleam in the soft light theres a sparkle of playful delight in the lovers eyes — this feels so incredibly good were going to savor every second. And so they do. Straddling Lutro, Katy rubs her pussy up and down the oiled length of his tool — the playful look on her face suggests that she could achieve orgasm this way, but she chooses not to. Instead she takes him inside and, remaining on top and in control, she rides, relishing each rise and fall, every slick pump and thrust. When shes ready for her finale, Rose rolls onto her back, with Lutro still inside, and he rocks her to climax and then he completes the scene with a splashy finish of his own. Sensuous and slick, Lubricous has a very happy ending.

Drive Matt Ice steers his car along the streets of the city. Silvie Deluxe occupies the passenger seat. They chat. They laugh. They flirt. She teases him, licking his ear, kneading his crotch. She fishes his cock out of his pants, strokes it, then begins sucking it. Ice keeps the vehicle on the road and then pulls to a stop in front of her house. Frantic with desire, the couple race to the front door and hurry inside. Even though theyre no longer cruising along the boulevard, Drive maintains its power and pace throughout. The couple kiss passionately, Deluxe resumes her blowjob. She pushes her partner backwards onto a plush chair. The blowjob soon becomes a sixtynine. Deluxe lifts her pussy from Matts mouth, straddles his waist, and takes his cock inside her. She rides him, each pump, each slap of skin on skin, every thrust, taking them ever closer to their destination. The breathless cowgirl pulls her steed into an upright, seated position, then she rolls onto her back. With Ice once more in the proverbial drivers seat, their journey to ecstasy continues with even more urgency. Silvie arrives first, but Matt is close behind. He pulls out and with a few determined strokes Deluxe milks the cum from Matts cock. Impassioned performances and an energetic production style make Drive a high octane erotic ride.