Possessione It shouldnt come as a surprise that, in a film about sexplay, director Alis Locanta plays a game or two with the viewer and his or her expectations. He begins Possessione with an engaging bit of tease as longhaired and flirtatious Taissia A making her Sexart film debut dances provocatively during the title sequence. But this isnt simply tease, the artist is also telegraphing a subtle clue. Next he drops in a sinister bit of foreshadowing as the camera follows grim and intent Franck Franco down hallways and into a room containing a surprise. Another cut and its a beautiful, sunshiny day and two lovers — Taissia and Franck — stroll, flirt, and kiss without a care in the world. Possessione then details a night of kink that boasts elements of dominance, submission, bondage, and domination thats shot through with passion and enwrapped in romance. On the surface, this is a master and slave scenario, but why is the slave so delighted with her position? And why is the master so intent on pleasing her, rather than satisfying his own selfish needs? Thats another skillful bit of Locantas subtle gamesmanship — he uses the conventions of kink to reveal the entirely wholesome and inspiring romantic bond this loving couple share. Whos in control? Franck as he fingers bound and helpless Taissias pussy? Or Taissia when she sucks Francks cock and licks his balls? And what about the sizzling multiposition fuck that follows? Viewers with an interest in the unconventional are urged to submit to Possessione. No safe word re
