Masseur As Masseur begins Its just another day at the office for Matt Ice, in the title role, as he prepares for his next client. And, as he spreads oil and starts to massage Sexart firsttimer Erika Blacks back, everything appears routine and run of the mill — a skilled professional providing soothing service to an appreciative customer. But then, while Ice attends to Blacks shoulders, she opens her eyes and finds herself staring at Matts crotch, mere inches from her face. The intimacy of the setting, and Matts skilled hands have unintentionally created an idea and an opportunity. Erika reaches out and caresses Matt. Then she releases his erection from his shorts and eagerly sucks it. But Ice is torn — hes a man, but hes also a professional — and he removes his cock from Erikas mouth, replaces it in his pants, and resumes the job hes been paid to perform. But that brief bit of sexplay has only increased Erikas desire. She teasingly removes the towel thats been covering her backside, and as Matt goes to work on her now exposed ass, his professionalism gives way to his passion. First he strokes and caresses Erikas cleanshaven sex, then he vigorously probes her with two thrusting fingers, and then inserts his rigid muscle inside his gorgeous and glistening client, and they begin an extended, passionate, and powerfully satisfying screw with massage table as mattress. After shes had her fill of cock and climaxes Erika pulls Matt from her pussy, and then energetically milks a copious load of his cum onto her beautiful body. Relaxed and thoroughly satisfied, Erika heads for the shower and Matt is left to ponder the fringe benefits of life as a Masseur

Second Chance As anyone who has been in a romantic relationship will attest, being in love with someone is wondrous, but it isn’t always easy. When we first meet Nick Ross in Andrej Lupin’s “Second Chance” it quickly becomes clear that he’s experiencing the pain of a lover’s quarrel. Downcast, he enters a flower shop and emerges with a single rose — clearly a token of reconciliation as well as an admission of his responsibility in the argument that has sent him, alone, out into the streets of Prague at night. With rose in hand he wanders, ponders, and takes stock of his life and his relationship. Meanwhile Lady Dee, alone in their home — or perhaps a hotel room — is lost in deep, heartbroken thoughts of her own. When Nick returns and offers her the rose, she accepts it, and not a single word is spoken. The fight is behind them now, and they express their collective relief with a tender kiss — the first of many. “Second Chance” then proceeds to capture what is commonly known as “makeup sex,” and it does so delicately, romantically, and with a sweetness and affection that creates a vivid portrait of two people very much in love. The action proceeds in a relaxed manner, there is no rushing to the release of orgasm. Rather the lovers savor one another, warmed by the glow of their love, and inflamed by their building passion. Ross pleasures Lady Dee with his mouth before penetrating her. This is interrupted by a brief bout of kissing, after which Dee assumes the cowgirl position. She next gives Nick a handjob followed by a blowjob, which segues into a sixtynine as Dee begins to betray her arousal with increasingly audible vocalizations. Silence and restraint are abandoned in the final moments of the interlude as the lovers couple acrobatically and vigorously. Lady Dee reaches orgasm with an assist from her agile fingers, and with Nick straining at the brink of ecstasy, the lovers clasp hands and with her free hand she brings her lover to sweet completion. Viewers who value beauty, romance, and passion will find that “Second Chance” results in love at first sight

Tenderness A couple — Assoli and Fernando — are enjoying a day at the seaside. From their location on a jetty they have a view of the Sitges, Spain coastline. While Fernando tries his hand at fishing, Assoli gazes at him, thoughtfully. Then her expression shifts subtly, but unmistakably, to a look of deep affection that gives Andrej Lupin’s “Tenderness” its title. After returning home the lovers cuddle on a couch. The mood is relaxed and comfortable — in this relationship simply sitting together quietly is a satisfying and enjoyable experience. But one thing eventually leads to another. Fernando’s hand wanders beneath the hem of Assoli’s dress and begins to explore the crotch of her lacy panties. Soon he’s slipped that hand inside and Assoli responds instantly to his touch. After removing her dress Assoli strokes her lover to stiffness and then lovingly begins to suck him. As the camera hovers over the scene unobtrusively, Assoli rarely takes her eyes from Fernando’s, underscoring the deep connection they share. Eventually Assoli does turn her back on Fernando, but only long enough to take a seat on his erection which she then rides with steadily increasing vigor. Bouncing on his cock while stroking her clit soon has Assoli in an elevated state of arousal. She pauses briefly to caress his balls, then moves onto her side where Fernando reinserts and fucks clitrubbing Assoli to a sweet and powerful orgasm. Then, with loving care and twohanded skill, she milks a load of semen from her lover’s tool. This sincere and extremely believable performance, so skillfully captured, deftly combines love and passion to give “Tenderness” emotional and erotic weight

Espuma De Mar Those seeking a storyline or even the most rudimentary narrative won’t find either in Andrej Lupin’s “Espuma De Mar,” but viewers who are comfortable outside the bounds of conventional storytelling will enjoy a rich, atmospheric, poetic, and stirringly beautiful erotic cinema experience. Throughout its duration “Espuma De Mar” cuts between two settings the rugged, rocky cliffs above the crashing waves of a restless sea, and the silence and serenity of a plush sofa in a softly lit living room. In the former location a nude Rosaline Rosa, held aloft in Nick Wolanski’s arms, strikes a wide variety of graceful, almost balletic, poses as the salt breeze plays in her long hair, and in the latter the couple make sweet, tender, and passionate love. The symphonic soundtrack ebbs and flows like the ocean, rushing in for emphasis, and then fading back to let the natural sounds of sex fill the ear and the imagination. We know nothing of these lovers, they exchange not a single word, but as we watch we learn everything necessary. Whether on the cliff or on the couch, Rosaline is graceful, physical, emotive, and Nick is solid, silent, strong, and focused. Water rushes gently across the pebbly strand, a loving kiss is exchanged. The tide begins to gradually rise, the couple enter an extended sixtynine. Waves rise and fall with windwhipped vigor, Rosaline straddles Nick and savors the sensation of rigid cock in silky, steamy pussy. The tide is high, the air filled with mist, the sea white with foam, as orgasm rushes through Rosa’s body and Wolanski pumps ever harder until Rosaline liberates his surging load with slickgripped strokes. Both powerful and poetic, “Espuma De Mar” combines naturalism with impressionism to capture a moving erotic interlude

Chasing Men Episode 1 Sexy brunette Katy Rose couldn’t care less whether Maxmilian Dior and Nick Ross are keeping score of their conquests. As episode one of Andrej Lupin’s playful series “Chasing Men” begins, Maxmilian ditches his bro for some bedroom fun with Katy, who soon has his shirt off and her hand in his jeans, stroking his cock. He peels down her white bodysuit to nuzzle her beautiful breasts, then lies back to enjoy it as she licks his stiff pole from balls to tip, and takes it between her hot lips. She sucks and jerks him avidly, then straddles him and guides his rigid dick into her tight, shaved pussy, sliding up and down on it slowly and sensuously at first. She grinds her hips as her arousal builds, leaning back to let Maxmilian thrust up into her, then bouncing on him with a naughty smile that says she’s loving every moment of it. Maxmilian flips the gorgeous babe onto her back so he can plow into her vigorously, fucking her to a noisy string of climaxes, before shooting a couple of spurts of cum over her pussy and sliding back inside to finish. The score is 10 to Maxmilian, but Katy looks like the cat that got the creamâ€�

Sensitive Cute Kalisy showers with her lover Maxmilian Dior, at the start of Andrej Lupin’s steamy erotic movie “Sensitive.” It soon becomes apparent Maxmilian is warming Kalisy up by thrusting a dildo into her tight pussy as they grind together, her pert breasts and firm ass pressing up against the glass. They move to the couch, Maxmilian eating Kalisy’s hot pussy, then lying back as she sucks his hard dick, licking the length of his shaft and bobbing her head up and down as she takes it deep. Kalisy’s slender body trembles as she lowers her soaked pussy onto Maxmilian’s cock in reverse cowgirl, and starts riding it steadily, ass cheeks quivering. She switches around into cowgirl, kissing Maxmilian avidly as she bucks on his boner, riding harder and faster until an intense climax sweeps through her. Hard cock still buried deep inside her pulsing pussy, Maxmilian lifts her and flips them into missionary, gazing at Kalisy’s gorgeous face as he plows into her, slowly at first but increasing the speed of his thrusts until she orgasms noisily. His muscular frame stiffens and he shoots his load deep inside her juicy pussy, triggering another powerful orgasm for horny Kalisy

Il Lungo Addio 2 Goodbye My Love “Il Lungo Addio” is Italian for “The Long Goodbye,” and as Alis Locanta’s reimagining of his 2014 classic begins, sexy Clea Gualtier is writing a parting letter to her lover. But as Clea watches muscular ebony stud Jesus Reyes in the pool, she has second thoughts, and tears up the letter. Jesus catches the French beauty with her hand inside her tiny panties, fingering her pussy, and pulls her into a passionate kiss. He caresses her lovely small tits, and she kneels to free his cock from his shorts, sucking the bulbous head avidly and stroking the heavily veined shaft. Clea moans with gratification as her man’s dick stiffens, filling her mouth, and she gazes up at him, her expression a mix of love and lust. She gives it her best shot, drooling and slavering as she sucks it, but can’t quite fit the entire length of his prodigious pole down her throat. Moving to the couch, Jesus tugs aside Clea’s skimpy panties and licks her shaved pussy, her squeals of pleasure turning to long, deep moans as he laps at her juicy folds and pushes his tongue deeper. Clea straddles Jesus and feeds his thick dick into her tight slit, her hips rocking and her ass cheeks quivering as she fucks him to a vigorous rhythm. She slows her bouncing to savor the intense sensations, then speeds up again as her excitement builds, spinning around into reverse cowgirl and strumming her clit as she slides up and down on his fat shaft. They move into spoons and Jesus takes the reins, spearing Clea relentlessly from behind, driving her to a noisy, powerful climax. Switching to missionary, Jesus jackhammers into his girl’s sodden pussy, pulling out at the last moment to paint his hot cum over her smooth pussy lips and neat bush. Clea scoops some up with her fingers and tastes it before they kiss lovingly. It seems hot sex cures all, and it’s not time for a long goodbye just yet

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Gold Card Anna Rose — in her first performance in a Sexart erotic feature — is on a mission. Armed with the “Gold Card” that gives Andrej Lupin’s film its name, she moves purposefully from one highend designer boutique to the next, accumulating items at every stop. When she returns to her luxe hotel suite Maxmilian Dior — in his Sexart debut — is waiting for her, and she proceeds to model a few of her new purchases. But when Dior seems more interested in his smartphone than in her designer outfits Anna emerges from the dressing room completely nude, throws the phone aside, and demands her lover’s full attention. There’s a subtle, brooding chemistry at work here as the petite, sloeeyed beauty proceeds with her seduction. Rose takes a deliberate, calculated approach while stroking and sucking Dior initially. She eyes her partner with a focused yet ambiguous expression, as if daring him to resist her advances. And once she’s straddled Dior she slides her wet pussy up and down the length of his erection in a manner that teases him while increasing her own pleasure. The fucking that eventually follows is something of a slow burn, punctuated by intervals of sucking, stroking, a passionate kiss, a tender touch of the noses. With her back turned and a foot up on the coffee table Rose gets licked and fingered from behind, and then she pushes Dior back on the couch, mounts him, and rides. Her skin glowing with exertion, Rose soon arrives at orgasm, and her reaction, both physical and vocal, beautifully expresses the power and intensity of her release. After a final bit of oral Rose locks her eyes on Dior’s, wraps her hand around his tool, and skillfully strokes him until he erupts. Then Dior returns to his phone, and Anna Rose gets dressed to leave for another round of shopping, but not before Maxmilian hands over the plastic. Viewers with a taste for the finer things in life will get a charge out of “Gold Card.”

Elevator Part 4 Horny lovers Gisha Forza and Alberto Blanco have to take the stairs when the elevator breaks down, as the fourth and final episode of Andrej Lupin’s erotic series “Elevator” begins. As soon as they’re inside Alberto’s apartment their mutual lust explodes in a flurry of passionate kisses and caresses, gorgeous redhead Gisha ending up lying on the bed with Alberto fondling her big breasts and sucking her stiffening nipples. He moves south to eat her shaved pussy, making her moan with delight as his tongue flickers up and down her succulent slit. Rolling on top, Gisha straddles him, pulling his huge, stiff cock out of his pants and cramming as much as she can into her mouth, gazing up at him as she sucks and strokes it. She rubs her wet pussy along it teasingly before guiding it inside her, taking it balls deep. Alberto squeezes her perfect peachy ass cheeks while she bucks up and down on his bone, gasping with arousal. They move into doggy, Alberto alternating between jackhammer thrusts and holding still to let Gisha fuck herself on his dick, until she has an intense orgasm. But Alberto’s far from finished, flipping Gisha onto her back, one leg over his shoulder, and slamming into her hard and fast until she climaxes again, before spraying his load over her pussy. It’s a fittingly hot finale to a highly satisfying series.

The Movers Nick Wolanski, Matt Ice, Qweedo Climber, and Andrej Lupin — the four furniture deliverymen who give “The Movers” its title — arrive at a stately home and get to work as lady of the house, Linda Sweet, looks on. When Wolanski enters with a lamp in hand Sweet guides him upstairs and into a bedroom. After closing the door behind them Sweet turns up the heat and propositions him. Working man Wolanski resists at first, but the wealthy Sweet is used to getting what she wants and won’t take no for an answer, and they soon come together in a heated embrace. Once Nick has positioned a mattress on its platform the action begins to unfold with Sweet in the dominant role. After sucking him to stiffness Sweet feeds Wolanski a mouthful of her smooth pussy, and then she mounts him in a sixtynine during which she vigorously grinds and bounces her sex against his hungry mouth and lapping tongue. After Sweet has enjoyed her fill of oral — both giving and getting — she climbs astride Nick for a vigorous ride in the cowgirl position before moving onto all fours, and then ending up on her back, stiletto heels raised toward the ceiling as Nick pistonpounds the redhot redhead to orgasmic ecstasy. Moments later Wolanski can no longer hold back, so he frees his cock from the velvet grip of Sweet’s sex and coats her clit and slit with oozing cream. Satisfied by a job well done, Sweet dismisses Wolanski with a wave of her hand and he grabs his clothes and exits. Hot spontaneous sex with a beautiful and horny rich lady? It’s just another day at the office for “The Movers.”

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